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These things are generally not acknowledged or explained as being magical but are treated by the author and characters as a part of reality. These themes are areas to examine when determining visionaries’ influences. At the beginning of his book he argues with the way language constricts vision and with the idea of sight built into the film-maker's tools. The Exquisite Corpse, in its purest form, is drawn by a number of persons upon a piece of paper folded so that one can draw the head, an- other the neck and shoulders, another the trunk, and so on, without any one con- tributor's seeing the work of the others.

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