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One sc; small cast; songs; 10 min In Philippine days, for 6 girls; by Elsie D. The two overlapped when a COPMA newsletter organizing the group’s protest against The Admission included an article in the right-wing Jewish magazine Commentary accusing Judis and other left-wing Jewish writers (and former Pink Floyd singer Roger Waters) of “hijacking” the Jewish community.” Reached by e-mail, Judis tells Washingtonian the conflict between the most hawkish American Jews and those who are more willing to be skeptical of Israel’s decisions is as visible as ever, and that the casualties are often artistic types like Roth. “There is a looming split in that part of the Jewish community between an older generation that sees Israel entirely as a victim and any criticism of it as verging on anti-Semitism, and a new generation that goes from J Street to Jewish Voice for Peace to Open Hillel that believes that a committment to Palestinian as well as Jewish rights is intrinsic to a Jewish ethical outlook,” Judis writes. “What’s at stake here is not simply artistic censorship, but the attempt to snuff out works of art that recognize that Jews and Palestinians share a common humanity.” Roth plans to establish a new theater company—based out of the Atlas Performing Arts Center on H Street, Northeast—that will include future iterations of his Voices From a Changing Middle East Festival. “My understanding is that Ari wanted to bring to Theater J plays that reflected the total gamut of American Jewish concerns and life, and that includes plays about Israel,” says Elsner.

Pages: 616

Publisher: Clarendon Press; 1 edition (December 10, 1998)

ISBN: 019815898X

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