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Theorists such as Brakhage and Kubelka expounded the law that a film must not waste a frame and that a single film-maker must control all the functions of the creation. Their dialogical structure was a defense against the engulfing subjectivity at the heart of Brakhage's cinema, which Brakhage himself intuited when, amidst the most severe crisis of his career, he made his own Menippean satire, the Faust series (1987-1989).

Pages: 59

Publisher: Compass Rose Press; 1 edition (July 7, 2016)

ISBN: B01I4E3W5I

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