Download Bodies and Voices: The Force-Field of Representation and PDF
A wide-ranging number of essays concentrated on readings of the physique in modern literary and socio-anthropological discourse, from slavery and rape to girl genital mutilation, from garments, ocular pornography, voice, deformation and transmutation to the imprisoned, dismembered, remembered, kidnapped or ghostly physique, in Africa, Australasia and the Pacific, Canada, the Caribbean, nice Britain and ireland.
Read Online or Download Bodies and Voices: The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies (Cross/Cultures: Readings in the Post/Colonial Literatures in English, Volume 94) PDF
Best cultural studies books
This new research from Ben Highmore appears on the possible banal international of items, paintings, day-by-day media, and meals, and reveals there a scintillating array of passionate adventure. via a sequence of case reviews, and construction on his past paintings at the daily, Highmore examines our dating to wide-spread gadgets (a favorite chair), repetitive paintings (housework, typing), media (distracted tv viewing and radio listening) and meals (specifically the nutrients of multicultural Britain).
A vintage of British cultural reviews, Profane tradition takes the reader into the worlds of 2 vital Nineteen Sixties early life cultures—the motor-bike boys and the hippies. The motor-bike boys have been working-class motorcyclists who listened to the early rock 'n' roll of the past due Fifties. against this, the hippies have been middle-class drug clients with lengthy hair and a love of revolutionary track.
Contributor word: ahead through Tom Engelhardt
From the sunrise of the atomic age, paintings and pop culture have performed a vital function analyzing nuclear matters to the general public and investigating the results of nuclear guns to the way forward for human civilization. Political and social forces usually appeared paralyzed in considering past the appearance of nuclear guns and articulating an artistic reaction to the drawback posed by way of this apocalyptic know-how. artwork and pop culture are uniquely suited for grapple with the results of the bomb and the disruptions within the continuity of conventional narratives in regards to the human destiny endemic to the atomic age.
Filling the opening within the Nuclear destiny explores the variety of visions evoked in American and eastern society by means of the mushroom cloud placing over the way forward for humanity over the last 1/2 the 20th century. It offers historic scholarship on paintings and pop culture along the paintings of artists responding to the bomb, in addition to artists discussing their very own paintings. From the impression of nuclear trying out on sci-fi video clips in the course of the mid-fifties in either the U. S. and Japan, to the socially engaged visible dialogue approximately energy embodied in eastern manga, Filling the outlet within the Nuclear destiny takes readers into unforeseen territory
This paintings presents the transparent and crucial details that readers have to comprehend and learn welfare concerns. It demystifies present day tangled method of welfare legislation, amendments, spending mandates, block gives you, eligibility and paintings necessities, and tax rules.
Additional info for Bodies and Voices: The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies (Cross/Cultures: Readings in the Post/Colonial Literatures in English, Volume 94)
Diasporas and migrancy disrupt central themes of modernity like the nation and cultural homogeneity, leading to both greater awareness of cultural identity and difference and to greater insecurity about them. Drawing on a wide range of theory about culture and nation, the essay places the writings of Sam Selvon and Caryl Phillips in the cultural borderlands, where their immigrant characters from the Caribbean struggle both with what they must forget and with what they can articulate in terms of xxxviii BODIES AND VOICES ½¾ (un)belonging to a nation that still sees itself as ‘British’ and thus ‘White’.
It is just another of those icy, exclusive, death-driven male constructions” (137). Further on in the novel, she still shrinks from extreme positions, reflecting, for instance, “Freedom or death! shout Bheki and his friends. Whose words? Not their own. ” (149), but concurrently, some of her reactions already point to a changing attitude. ” (102). M. Coetzee, Age of Iron (London: Secker & Warburg, 1990): 62. Further page references are in the main text. ” (138). But the greatest shock is her visit to Guguletu, during which she is confronted with the bodies of the five children killed by the police.
At the end of a week’s wrangling with the administration, the farmer has to acknowledge that the right body will never be found, so that, as a compensation, the farmer’s wife gives the old father one of her own father’s old suits “and he went back home rather better off, for the winter, than he had come” (188). Thus the story denounces both the authorities, for whom one body is as good as another, and the limited compassion of the whites. But it remains an anecdote, in the sense that, except for the clear allusions to the precarious situation of the labourers, it does not give rise to any wider echoes, unlike Gordimer’s later novel, The Conservationist, which will be analysed further on.