Download Composition & Copyright: Perspectives on Teaching, by Steve Westbrook PDF

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By Steve Westbrook

Drawing on connections among criminal advancements, new media applied sciences, and academic perform, Composition and Copyright examines how copyright legislation is at the moment influencing approaches of training and writing in the collage, fairly within the dynamic contexts of accelerating electronic literacy, new media, and net writing. participants discover the law's theoretical premises, purposes to writing study rooms, and the bigger results of copyright legislations on tradition and literacy.

Central to the amount is the query of what may possibly represent "infringement" or "fair use," and the way the very definitions of those phrases could allow or restrict particular text-making actions. The essays hide a number matters, from students' appropriations of web pictures to utilizing blogs within the lecture room to the efforts by means of universities to say criminal possession of professors' educating and study fabrics. As new applied sciences and laws are overturning conventional notions of highbrow estate, this quantity bargains how one can navigate the problems when it comes to pedagogy, learn, and growing new media texts in the present felony framework.

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Not only are these exemptions for fair use provisional and vulnerable to termination, but these particular fair use circumstances require proponents to continually advocate and justify their existence. As I’ve noted earlier in this chapter, the DMCA—with its current exemptions—still prevents students from the opportunities to learn through one of the oldest forms of education: modeling and design. This is particularly critical for those of us who study and teach visual strategies in digital writing and rely on providing examples of multimedia writing.

S. Copyright Office, “Digital Millennium Copyright Act” 11, my italics). This command runs contrary to some of the central tenets of fair use. According to legal scholars, the fair use doctrine maintains that the condition of fair use does not require the copyright owner’s authorization; furthermore, it permits fair use of copyrighted material, even if owners decline consent. Concerned over the rising practice of censorship under the DMCA, Deirdre K. [ . . ] [T]here are certainly [ . . ] instances of speakers being wrongfully silenced under the DMCA” (“FatWallet Victorious”).

IP addresses are usually assigned to an Internet service provider, a university, or a company. They don’t usually lead to a single computer, but rather are assigned to a network of computers that share the address. 6. The rivalrous versus nonrivalrous distinction in intellectual property scholarship can be traced back to economic terminology. ” Samuelson argues that a public good, which intellectual property arguably is, is a nonrivalrous resource: an unlimited number of people may “consume” the work without depleting it.

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