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Download Crimes of peace : Mediterranean migrations at the world's by Maurizio Albahari PDF

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By Maurizio Albahari

Among the world's hotly contested, obsessively managed, and sometimes harmful borders, none is deadlier than the Mediterranean Sea. considering that 2000, a minimum of 25,000 humans have misplaced their lives trying to succeed in Italy and the remainder of Europe, so much by way of drowning within the Mediterranean. each day, unauthorized migrants and refugees sure for Europe positioned their lives within the palms of maritime smugglers, whereas fishermen, diplomats, monks, bureaucrats, defense force sailors, and hesitant bystanders waver among indifference and intervention—with harrowing results.

In Crimes of Peace, Maurizio Albahari investigates why the Mediterranean Sea is the world's deadliest border, and what possible choices may possibly increase this scenario. He additionally examines the dismal stipulations of migrants in transit and the institutional framework within which they circulate or are bodily limited. Drawing on his intimate wisdom of areas, humans, and ecu politics, Albahari vitamins fieldwork in coastal southern Italy and neighboring Mediterranean locales with a meticulous documentary research, remodeling summary records into names and narratives that position the accountability for the Mediterranean migration situation within the very center of liberal democracy. worldwide fault traces are scrutinized: among Europe, Africa, and the center East; army and humanitarian governance; detention and hospitality; transnational crime and statecraft; the common legislations of the ocean and the thresholds of a globalized but parochial global. Crimes of Peace illuminates an important questions of sovereignty and rights: for migrants attempting to input Europe alongside the Mediterranean shore, the solutions are a question of existence or death.

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Additional resources for Crimes of peace : Mediterranean migrations at the world's deadliest border

Sample text

Quite significantly, then, the stadium confinement constitutes an important early step in Italians’ acquisition of cultural knowledge and moralized evaluation not only of migrants’ ‘‘otherness’’ but also of the ‘‘immigration phenomenon’’ itself. These early instances of confinement and pushback lay the precedent and the foundations for more permanent sovereign structures. But they do so through the systematic method of emergency. A methodical emergency that leads to the need to confine is the institutional response to a maritime mobility that seems to threaten public order.

In Rome’s holding facility, migrants are committing acts of self-mutilation—if you take apart a cigarette lighter, wires are to be found and lips can be sewn up. Sometimes I wish I could write these pages on a gigantic transparent sheet, which I would then hold vertically while you see the immediate, urgent reality through it. I wish an escape from ‘‘the sequential straitjacket of the written form,’’ as historian Carlo Ginzburg puts it (2003:9). In reality, though, mechanisms and relationships—life and death, over two decades—do not work in a straightforward and teleological fashion; they do not coalesce around a climax that can be captured and shown.

Who are the people on board? How will they be received? With every boat, the claustrophobically airy room evoked in Magritte’s On the Threshold of Liberty is reinhabited by the people and situations at the center of this book. What are their stories? What kind of encounter will they have with humanitarian personnel and armed forces? What will bystanders do? Will travelers be made to fall into the fault lines of Euro-Mediterranean inequality and injustice? Will they engender subversion and emancipation, for themselves and for those kept on the other side of their horizon?

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