Cultural Studies

Download Edward Said: A Critical Introduction (Key Contemporary by Valerie Kennedy PDF

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By Valerie Kennedy

Publish yr note: First released in 2000
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Edward stated is without doubt one of the most excellent thinkers writing this present day. His paintings as a literary and cultural critic, a political commentator, and the champion of the reason for Palestinian rights has given him a different place in western highbrow existence. This new booklet is an incredible exploration and overview of his writings in these kinds of major areas.

Focusing on Said's insistence at the connection among literature, politics and tradition, Kennedy deals an summary and evaluate of the most strands of Said's paintings, drawing out the hyperlinks and contradictions among every one region. The ebook starts with an exam of Orientalism, one of many founding texts of post-colonial reports. Kennedy appears on the ebook intimately, probing either its strengths and weaknesses, and linking it to its sequel, tradition and Imperialism. She then examines Said's paintings at the Palestinian humans, along with his emphasis at the desire for a Palestinian narrative to counter pro-Israeli bills of the center East, and his searing criticisms people, Israeli, or even Arab governments. The booklet closes with an exam of Said's value within the box of post-colonial stories, significantly colonial discourse research and post-colonial concept, and his value as a public intellectual.

This publication could be of significant curiosity to someone learning post-colonialism, literary idea, politics, and the center East, in addition to someone attracted to Said's writings.

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Extra resources for Edward Said: A Critical Introduction (Key Contemporary Thinkers)

Sample text

This instrumental attitude is seen to have taken different forms in British and French Orientalism in the twentieth century, more specifically prior to and after World War I. Sir Hamilton Gibb and Louis Massignon are discussed as representatives of British and French Orientalism respectively. Said speaks explicitly of ‘Islamic Orientalism’ and comes to the conclusion that, from the post-World War I period until the present, it is characterized by ‘its retrogressive position . . its general methodological and ideological backwardness, and its comparative insularity’ (p.

168–70). 9 Said goes on to contrast Lane and Chateaubriand as the prototypes of British and French Orientalist writers, and continues by discussing the writing of Lamartine, Nerval and Flaubert as writers belonging to the French version of the pilgrimage model. Nerval and Flaubert he sees as being particularly important, because the Orient is central to their work, ‘both were geniuses’, and both had ‘a sympathetic, if perverse, vision of the Orient’ (p. 180). Said sees institutionalized Orientalism as the legacy of the nineteenth century to the twentieth, and the third chapter, ‘Orientalism Now’, examines this inheritance in the period after 1870.

197, 264, 154), or, conversely, in Said’s criticism of T. E. Lawrence for his inability to see Arabs as individuals with separate life stories (pp. 229–30). He also invokes categories such as ‘human reality’ in relation to some of the most important general questions that he raises about one culture’s perception of another. ’ (p. 45). He also states, in the concluding paragraph of Orientalism, that ‘I consider Orientalism’s failure to have been a human as much as an intellectual one’ in that it ‘failed to identify with human experience’ (p.

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