Download Fantasy Sports: Athletics And Identity In Postmodern by Mark P. Bresnan PDF
By Mark P. Bresnan
Over the past 4 many years, starting with the inaugural great Bowl in 1967, American activities have passed through some of the comparable modifications that experience marked postmodernity in tradition at huge: the exponential progress of activities media; elevated specialise in performative, instead of aggressive, acts; epistemological and ontological instability; and an embody of the worldwide and advertisement over the neighborhood and sacred. This venture analyzes the illustration of activities in American literature in this span, interpreting literary texts in synthesis with popular-culture activities narratives during which activities lovers build their very own "fantasies" of the athletic physique. whereas mythic archetypes of activities heroism proceed to form those buildings, rising narrative systems (including cable tv, rotisserie and fable leagues, and fan weblogs) have provided new methods of studying the carrying topic. "Fantasy Sports" identifies those debates approximately subjectivity because the fundamental aspect of intersection among modern activities tradition and postmodern literature. In its reaction to modern activities, postmodern literature has became clear of the emphasis on genuine masculinity and autonomy that formed either modernist and realist traditions of activities literature. via emphasizing the distance among athletic functionality and private identification, postmodern literature frames athletic subjectivity because the made of fraught negotiations between athletes, enthusiasts, and the mass media.
The perform of activities, as depicted in those texts, blurs the binary oppositions among guy and lady, player and spectator, beginner undefined, and in-bounds and out-of-play that constitution either advertisement and cultural activities associations. mentioning theoretical paintings by means of Michel de Certeau, Judith Butler, Donna Haraway, and Jean Baudrillard, between others, this venture reads those practices as strategic and provisional makes an attempt to take care of a degree of autonomy inside of a activities tradition that rigidly polices either id and behaviour. by means of drawing jointly postmodern cultural thought, experiences of latest activities tradition, and modern activities literature, "Fantasy Sports" identifies a different physique of fiction, drama, and non-fiction that extensively revises the subjects, modes of characterization, and narratives at paintings within the dominant culture of activities literature. additionally, it bargains a suite of interpretive techniques that higher account for the location and gear of activities in modern tradition.
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Additional info for Fantasy Sports: Athletics And Identity In Postmodern American Literature, 1967-2008
It is the first thing he will think of in the morning and one part of him is already there even as he falls asleep, waking up to think about the game" (148). Though his father will steal the baseball from his room later that night, Cotter has constructed his fan identity independent of both physical objects and the systems in which they are exchanged. However, as each of the baseball's subsequent owners will demonstrate, this is but one possible construction of fanship. Martin, unlike his son, is not a fan.
Of course, Nick Shay works in waste management, an obsession he brings to his domestic life as well: "At home we separated our waste into glass and cans and paper products. Then we did clear glass versus colored glass.... Then we did yard waste. Then we did newspapers including glossy inserts but were careful not to tie the bundles in twine, which is always the temptation" (89). Each example contradicts the idea that waste can be easily disposed of, forgotten, or hidden; as Marvin realizes, "His smell was a secret he had to keep from his wife" (310).
Both the brevity of their outdoor experience and the banality of the narration in this outdoor scene suggest that spatial dislocations (whether from bleachers to luxury suites or from East Coast to West Coast) alone do not account for changes in contemporary fan experience. While, in a physical sense, the Dodger Stadium quartet clearly experience the game far differently than did their 1951 Polo Grounds counterparts, Glassic contextualizes their experience in terms of broader social trends: "[W]hen Thomson hit the homer, people rushed outside.