Download Global Linguistic Flows: Hip Hop Cultures, Youth Identities, by Awad Ibrahim, Alastair Pennycook, H. Samy Alim PDF
By Awad Ibrahim, Alastair Pennycook, H. Samy Alim
Positioned on the intersection of sociolinguistics and Hip Hop experiences, this state-of-the-art ebook strikes world wide – spanning Africa, Asia, Australia, the Americas and the eu Union – to discover Hip Hop cultures, formative years identities, the politics of language, and the simultaneous methods of globalization and localization. Focusing heavily on language, those students of sociolinguistics, linguistic anthropology, cultural experiences, and important pedagogies supply linguistic insights to the becoming scholarship on Hip Hop tradition, whereas reorienting their respective fields via paying nearer consciousness to approaches of globalization and localization.
The e-book engages advanced strategies comparable to transnationalism, (im)migration, cultural movement, and diaspora which will extend present theoretical techniques to language selection and organisation, speech sort and stylization, codeswitching and language blending, crossing and sociolinguistic edition, and language use and globalization. relocating in the course of the worldwide Hip Hop kingdom, via scenes as assorted as Hong Kong’s city middle, Germany’s Mannheim inner-city district of Weststadt, the Brazilian favelas, the streets of Lagos and Dar es Salaam, and the hoods of the San Francisco Bay sector, this international highbrow cipha breaks new floor within the ethnographic examine of language and pop culture.
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Extra info for Global Linguistic Flows: Hip Hop Cultures, Youth Identities, and the Politics of Language
Wunderlich, A. (2006). Cuban hip hop: Making space for new voices of dissent. In D. Basu & S. ), The vinyl ain’t final: Hip hop and the globalization of Black popular culture (pp. 167–179). London: Pluto Press. Yasin, J. (1999). Rap in the African-American music tradition: Cultural assertion and continuity. In A. ), Race and ideology: Language, symbolism, and popular culture (pp. 197–223). Detroit: Wayne State University Press,. DISC 1 Styling Locally, Styling Globally The Globalization of Language and Culture in a Global Hip Hop Nation TRACK 1 Hip Hop as Dusty Foot Philosophy Engaging Locality ALASTAIR PENNYCOOK AND TONY MITCHELL When asked what he means by the Dusty Foot Philosopher (the title of his recent CD, which received a 2006 Juno Award for Rap Recording of the Year, and was nominated for the inaugural Polaris Music Prize), Somali-Canadian MC K’Naan explains that this is both how he sees himself and a broader image of global representation.
A. ), That’s the joint! The hip-hop studies reader (pp. xi–xiv). London & New York: Routledge. Eckert, P. (2005, January 7th). Variation, convention, and social meaning. Plenary address, Linguistic Society of America, Oakland, CA. stanford. , & Rickford, J. ). (2001). Style and sociolinguistic variation. Cambridge, UK: Cambridge University Press. Fernandes, S. (2003). Fear of a Black nation: Local rappers, transnational crossings, and state power in contemporary Cuba. Anthropological Quarterly, 76(4), 575–608.
Rather than using a DJ, he prefers to perform with a band, and plays the traditional African drum the djembe. He also draws on the tradition of oral poetry in Somalia for inspiration, particularly Arays Isse Karshe, whom he rates (along with his own grandfather and Pablo Neruda) as one of the great poets of the world. ” That a 21st century Hip Hop artist can draw on a tradition of Somalian oral poetry draws attention to the possibility that rather than focusing centrally on processes of spread and localization, we also need to account for processes by which local traditions are changed and spread.