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Download Global Migration, Social Change, and Cultural Transformation by Emory Elliott PDF

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By Emory Elliott

By means of Elliott, Emory ( writer ) [{ worldwide Migration, Social switch, and Cultural Transformation by means of Elliott, Emory ( writer ) Nov - 15- 2007 ( Hardcover ) } ]

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Extra info for Global Migration, Social Change, and Cultural Transformation

Example text

He sends Magid to learn the traditional Bangladeshi ways, and so Magid does. He becomes colonized. Again, irony being inescapable and ubiquitous, Magid’s twin brother Millat, prey to the presumable corruption of Western civilization, becomes a Muslim fundamentalist. Millat’s fundamentalist “rebellion” against the West is represented as ultimately not very different from Magid’s capitulation. Magid and Millat are, as Archie might say, two sides of the same coin. In this way, White Teeth plays with the notion of Islamic fundamentalism as irrational, violent, and repressive, which is, as Talal Asad notes, a colonial 26 Global Migration, Social Change, and Cultural Transformation construction.

Rather than merely exposing or revealing all the irrationality of the colonial endeavor—the affective, improper, desiring dimensions of this system once forcibly imagined as orderly and rational—White Teeth revels in it. The very title of the novel references a seemingly incidental episode in the novel that centers on a figure of colonial conquest. Archie’s daughter Irie and Samad’s identical twin sons Magid and Millat are sent by their school on a well-intentioned if somewhat condescending mission to deliver canned goods to the homes of the elderly.

6 The commercially successful films made since the mid-1990s, in contrast, emphasize wealth, fast cars, youth culture, and cosmopolitan lifestyles. ” The rural exists in the post-1990s films not as a geographical location so much as a signifier for a simpler way of life prior to globalization. As Govind Nihalani, a member of the new generation of directors, declares, “The village has been pushed to the farthest periphery of our imagination. Any reference to a rural background today is only a synthetic nod to the roots.

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