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Download Stories in Stone: Travels Through Urban Geology by David B. Williams PDF

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By David B. Williams

Within the material of each stone construction is a wondrous tale of geological origins, architectural aesthetics, and cultural background.

You most likely don’t count on to make geological reveals alongside the sidewalks of an important urban, but if typical heritage author David B. Williams seems on the stone masonry, façades, and ornamentations of constructions, he sees quite a number rocks equivalent to any assembled by way of plate tectonics. In Stories in Stone, he introduces us to a three-and-a-half-billion-year-old rock known as Morton gneiss that's the colour of swirled pink-and-black taffy; a 1935 gasoline station made from petrified wooden; and a castle in St. Augustine, Florida, that has withstood 300 years of assaults and hurricanes, regardless of being made up of a stone (coquina) that has the consistency of a granola bar.

Williams indicates us why a white, fossil-rich limestone from Indiana grew to become the single development stone for use in all fifty states; how the development of the granite Bunker Hill Monument in 1825 ended in America’s first advertisement railroad; and why Carrara marble—the favourite sculpting fabric of Michelangelo—warped a lot after in simple terms nineteen years on a Chicago skyscraper that each one forty-four thousand panels of the stone needed to be changed. From Brooklyn to Philadephia, from limestone to travertine, Stories in Stone will encourage readers to achieve that, even within the newest city, proof of our planet’s common wonders are available throughout us in development stones which are a ways much less usual than we would imagine first and foremost glance.

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Extra resources for Stories in Stone: Travels Through Urban Geology

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Scofflaws had to fork out twenty shillings per stone. Concerned townsfolk also appointed a quarry agent to enforce the rules at what was now known as the Town Quarry. This round of posturing didn’t last long. Using his skills as a gravestone cutter, Thomas Johnson quarried enough stone in 1737 to provide brownstone accents for a granite house in Boston for Thomas Hancock, John’s uncle. Other rock began to make its way down to New York and Newport for architectural trimmings, but quarrying stayed small scale because little demand existed and transportation was challenging.

It’s all coinciding and all clashing with this biblical belief and there’s Hitchcock in the middle of this storm. And he is the first person to have the imagination to question the tracks. To ask, What kind of animals made these footprints? How could prints be made in stone? How old are these footprints? ” When Hitchcock died, however, interest in the tracks faded. A year after his death, the Civil War ended, people began to move west, and they discovered hordes of dinosaur fossils. Hitchcock’s tracks could not compete with the bones of Tyrannosaurus rex, Stegosaurus, and Triceratops.

Oddly, the parlor may have been the least-used part of the home. Society dictated an entertainment space, but most middle-class people rarely used it. Bedrooms and sitting rooms were on the upper floors. Servants lived in the garret. A cornice, often of iron pounded, sanded, and painted to resemble stone, topped the structure. Long and narrow, particularly in later years when land prices forced developers to squeeze houses to nearly claustrophobic widths, brownstones would not win a modern-day design competition.

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